a5c7b9f00b Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: one carrying a new breed of mercenary, the other captained by a man from Riddick's past.
Betrayed by the Necromongers and left for dead on a remote planet, Riddick learns to adapt to the harsh environment and rediscover his predatory instincts. When a more deadly threat appears on the horizon, he is forced to activate an emergency beacon attracting two ships: one filled with mercenaries, and another captained by a man with a personal vendetta against Riddick.
If you enjoyed the first installments of the Riddick franchise (I'll go so far to include the video games, and additional animated film), you'll enjoy this film for exactly what it is: another installment in the ongoing (hopefully) genre of the mass media serial entertainment that is "Riddick".<br/><br/>I didn't feel that this film was nearlyall encompassing in its depth or scope comparative to either either Pitch Black or The Chronicles of Riddick. If I had seen neither of those I would however still find it a brainless thrill ride throughout. There is something relatable with Riddick's one-liners and the charactera whole who is the ultimate anti-hero in a seriously f–-d up universe. Who has had one of those "legendary bad days" after all?<br/><br/>If you don't like sci fi, can't handle sexist comments in every direction back and forth, and don't mind four letter words coloring every third sentence, this film like the other "Riddick" installments is a cheap thrill that forgoes class and cultural norms for gross adventure and pulse racing action.
The first Riddick film was simply a medium budget Sci-Fi terror flick with the twist of having an interesting antihero and a kind of gauntlet that had to be run, but the unique landscape and hammer-head monsters were relatively twisted.<br/><br/>But that first Film was enough to give us a name: Richard B Riddick, escaped convict and murderer. Riddick, who is also knowna Pilot, brought two people from that planet, one an Islamic Iman, the other a little girl who wanted to BE Riddick.<br/><br/>The next we see these people were on a planet called Helion Prime: a planet that gathers sunlight and shares it with a whole system of planets. But this planet, and possibly all others had been threatened by NECROMONGERS, who, in their quest to find the threshold of Underverse, will convert you- or kill you.<br/><br/>There was a day and night difference between these two installments of this Chronicle: but not that one was great and the other not, no… one was straight terror and the other a magical, beautiful story of future religions, where a planet full of a tolerant population, where all people accept and participate in the faiths of everyone else- is threatened by a militant, intolerant religion. Ironically, Helion would have accepted their religion with open heart, this is what happens when the followers of one religion think that they are so right that there is no room for any other religion.<br/><br/>I suppose, there was terror in the second movie too with this militant religion led by Colm Feore (The Lord Marshall) with his sidekick "Lord Vaako".<br/><br/>The Necromongers had a solution for the people that would not be converted: they would not just kill them they would utterly destroy their planets.<br/><br/>"We all begansomething else"<br/><br/>The Chronicles of Riddick explored Richard B Riddick's "Furyan" heritage- The Furyan world, populated by people who had eyes just like Riddick's- and when the Necromongers came, they destroyed everybody killing babies "with their own birth cords"- This is referenced in Pitch Black when Riddick says, he was foundan infant in a trash bin outside of a Liquor Store with his Umbilical Cord around his neck- And it is referenced in Chronicles of Riddick, by Iman who was quoting Aereon (Judi Dench).<br/><br/>So this is the Riddick that we last saw- He killed the Lord Marshall and he "kept what he killed"-The Riddick is now the leader of a religion that he hates.<br/><br/>This movie is a clever mix of the first two: there is is the terror element, and there is also the magical element of the Necromongers. We are shown a little bit of what happened after Riddick became the Lord Marshall, apparently they were none too pleased with his leadership.<br/><br/>Riddick reflects on thishe heals his injuries after being stranded on this waste planet. But it's a new planet with its own ecology, animals, and creatures: some of them dangerous- and it all comes in with the storm.<br/><br/>In order to trick himself a way off the planet he sets off a mercenary beacon, and that is when the fun beginstwo Merc ships show up and start competingto who is going to put Riddick's head into a box.<br/><br/>But not all isit seems one of the Mercs is not really trying to capture Riddick or kill him and bring him in for the Bounty: he just wants the answer to a question that was posed in the first movie. And it is a pretty interesting surpriseto who this person is.<br/><br/>As usual we get to see Riddick kill Merc after Merc with all kinds of interesting contraptions, but that is not the point, something bad is going to happen and only Riddick knows: so how does he get them to quit shooting at him and listen to what he has to say?<br/><br/>Eventually I came to realize:muchRiddick hates the Necromonger religion- he believes it, and in the end he knows that Lord Vaako (a cameo by Karl Urban) was actually another man with a straight spine.<br/><br/>This film has fulfilled my admiration for this character, and for Vinnie Diesel. And for director David Twohy.<br/><br/>"You Keep what you Kill"
For a film about a killing machine who can see at night, it's fittingly ironic that the film itself is, both narratively and visually, a dark, muddled mess.
Riddick takes place in 2196, i.e. five years after the events of <a href="/title/tt0296572/">The Chronicles of Riddick (2004)</a> (2004), which was set five years after the events of <a href="/title/tt0134847/">Pitch Black (2000)</a> (2000), meaning that all three movies happen within a decade. She says, "Let me ask you something, sweet-like…" We're not told exactly what her question is but, based on Riddick's words from a previous scene, it is implied that she is asking him to have sex with her. Of course, she already told Santana that she doesn't "fuck men" but she may simply have been lying to Santana because she obviously despised him. No. Director David Twohy hinted prior to the theatrical release date that the home video releases could contain a longer version of the survival thriller. It was supposed to contain more of the mythology in the background. The movie's first cut clocked in at 2 hours and 20 minutes, a runtime that is unsuitable for most of today's cinema films. Twohy shortened it until it reached the desired 2-hour mark but promised to enrich the Unrated Extended Cut with some of that material. And that's what he did. While the theatrical version is quite short on the matter that Riddick left the Necromonger throne, the Extended Cut shows that for him staying on wasn't really a life-prolonging option. And the ending was also notably prepared for the theoretical possibility that a 4th film could transport the story in Chronicles of Riddick directions once again. It remains to be seen if that ever happens but in the meantime, fans of Riddick can raise their hopes a little more with the Extended Cut of the film that makes another adventure of their hero more plausible.
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